{"id":3785,"date":"2018-09-02T08:17:15","date_gmt":"2018-09-02T02:47:15","guid":{"rendered":"http:\/\/peacewatchkashmir.com\/blog\/?p=3785"},"modified":"2018-09-02T09:52:13","modified_gmt":"2018-09-02T04:22:13","slug":"shallot-man-a-distinct-character-in-ashpazs-team","status":"publish","type":"post","link":"https:\/\/peacewatchkashmir.com\/blog\/editors-take\/shallot-man-a-distinct-character-in-ashpazs-team\/","title":{"rendered":"&#8220;Shallot Man&#8221; &#8211; A  Dickensian Character in Ashpaz&#8217;s Team"},"content":{"rendered":"<fb:like href='https:\/\/peacewatchkashmir.com\/blog\/editors-take\/shallot-man-a-distinct-character-in-ashpazs-team\/' send='true' layout='button_count' show_faces='true' width='450' height='65' action='like' colorscheme='light' font='lucida grande'><\/fb:like><p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #339966;\">Nostalgia <\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #339966;\">\u2018Shallot Man\u2019<\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #000080;\">ZGM <\/span><\/h3>\n<h5><strong><span style=\"color: #000080;\"><a href=\"https:\/\/peacewatchkashmir.com\/blog\/point-of-view\/kashmir-talk\/prof-hameedah-nayeem-looks-at-significance-of-the-story-of-downtown-boy\/attachment\/zgm1-jpg5\/\" rel=\"attachment wp-att-3061\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3061 alignleft\" src=\"https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_-300x265.jpg\" alt=\"\" width=\"110\" height=\"97\" srcset=\"https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_-300x265.jpg 300w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_-150x132.jpg 150w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_-768x677.jpg 768w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_-1024x903.jpg 1024w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_-800x706.jpg 800w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2017\/04\/zgm1.JPG5_.jpg 1118w\" sizes=\"(max-width: 110px) 100vw, 110px\" \/><\/a>The lofty tents with white satin roofs, frills at ends hanging like damsel braids and transparent curtains flying at a slight breeze <a href=\"https:\/\/peacewatchkashmir.com\/blog\/editors-take\/zanapan-e-kihaar-these-lowly-paid-animated-the-life-in-the-night\/attachment\/downtown-srinagar\/\" rel=\"attachment wp-att-3776\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-3776\" src=\"https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2018\/08\/Downtown-Srinagar-300x154.jpg\" alt=\"\" width=\"300\" height=\"154\" srcset=\"https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2018\/08\/Downtown-Srinagar-300x154.jpg 300w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2018\/08\/Downtown-Srinagar-150x77.jpg 150w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2018\/08\/Downtown-Srinagar-768x395.jpg 768w, https:\/\/peacewatchkashmir.com\/blog\/wp-content\/uploads\/2018\/08\/Downtown-Srinagar.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>have an Arabian Night romance about them. For their grandeur, they are called white houses. \u00a0The dazzling illuminations and the mellifluous folk songs tearing apart silence of the nights reminiscent of festive occasions like Shab-i-Shalimar of the late fifties are most familiar scenes these days in the city. Scores of traditional chefs, Oshpuz or Ashpaz, along with other trained and semi-trained cooks engaged in preparing the multi-course mutton feast Wazawan are the most important feature of the marriage ceremonies. The cooks pounding meat with Goshapar, wooden mallet on a finely chiselled limestone, mincing meat with a \u2018heftier blade\u2019 on wood-stump (Muund) and singing folk songs in sync with the beats of the wooden mallet and butchers blades\u2013 with dozens of huge copper cauldrons on \u00a0\u00a0burning logs of wood \u00a0add colours to pageant of the Kashmiri marriage.\u00a0\u00a0 \u00a0<\/span><\/strong><\/h5>\n<h5><strong><span style=\"color: #000080;\">The ancestors of Ashpaz are believed to have traveled to Kashmir in the ancient times from Persia, the Central Asia, and Afghanistan along with caravans of traders and religious missionaries. The word Ashpaz besides being in the lexicon of Persian and Pashto is also part of Arabic and Turkish languages- of course in Turkish its connotation changes from \u00a0that of cook and soup- maker to \u00a0the sweets or sweet -maker. It can be linguists, who could say with some \u00a0\u00a0authority if the word has entered into our language from Turkish, Arabic, Persian or Pashto. The Ashpazs passed on the culinary art of multi-course mutton preparation to the natives, and it came to be known in our mother tongue as wazawan and those engaged in it as wa\u2019zii- many natives who adopted cookery as their profession retained their family titles like Bhat, Khosa, Bhandari, Hundoo, Kaw, etc., and \u00a0\u00a0like many other Kashmiris engaged in different profession some Ashpazs came to be known by their sobriquets- nicknames.<\/span><\/strong><\/h5>\n<h5><strong><span style=\"color: #000080;\">Many a time, these scenes for cooking sumptuous feasts for hundreds guests make me look back and remember how preparations for such a feast started much in advances, with women in the family starting storing and persevering even smallest items used in the preparation of wazwan. \u00a0Mo\u2019wul, the red cockscomb flower, with crest head resembling a rooster\u2019s crown with long stem tied in\u00a0\u00a0 bunches often hanged from\u00a0\u00a0 beams in the loft of our house. These flowers were used for coloring some of the dishes of the wazawan- like Rogan Josh and Rais\u2019ta. Garlands of red chilies festooned sills of the windows. The sacks of red Praan shallots were emptied on the bare floor of the Kani \u00a0\u00a0of the house in early spring to allow them dry &#8211; these were one of the important items for making wazawan to taste better. Large quantities of different varieties of rice, more particularly Mushk Budji, known for its distinct aroma and taste were stored mostly in top floor in huge earthenware rotund containers or\u00a0\u00a0 storehouses made out of mats. Of all the indigenous varieties of the rice, Mushk Budji was expensive and much sought after- the guests accompanying the bridegroom were served this type of rice only. Like score of other indigenous varieties of rice for the apathy of the state this variety also has become extinct.<\/span><\/strong><\/h5>\n<h5><strong><span style=\"color: #000080;\">\u00a0Sometimes, while watching mega food cooking \u00a0\u00a0on a marriages, the images of some characters from the team of the Ashpazs instantly come to my mind. \u00a0Some of them for their \u2018greater intensity than human beings,\u2019 were comparable to memorable charterers \u00a0\u00a0in Charles Dickens novels. \u00a0Some of the characters were \u2018simple souls and honest, hard-working, salt-of-the-earth creations.\u2019 One such character lives to this day in my memory, wearing white turban like my theology teacher Mama Sahib, draped in white poo\u2019uch \u00a0\u00a0squatting on a mat, with middle-sized limestone mortar in front of him, a huge tray of deeply fried praan (shallots) \u00a0\u00a0on his side and a wooden pestle in his hand he remained engaged in pulverizing the fried shallots to the finest paste for the whole day. \u00a0He has mastered this job to perfection, and the chefs never put him on any other job. \u00a0For wearing a long flowing beard, a prayer mark on his forehead and continuously reciting hymns while moving the pestle in the mortar he looked more of an ascetic than an apprentice of a chef. He was great devout of exiled Mirwaiz-i-Kashmir Molvi Mohammad Yusuf. Like many of his devotes, he remembered many a sermons he had heard from him by heart and could repeat them with ease. For his piety, many would send him for Hajj al-Badal.\u00a0 But, the mischievous in the chef\u2019s team for his short stature and round face had nicknamed him as Gana\u00a0 Gushtaba- and we children also knew him by the same name. \u00a0\u00a0\u00a0<\/span><\/strong><\/h5>\n<span class=\"fb_share\"><fb:like href=\"https:\/\/peacewatchkashmir.com\/blog\/editors-take\/shallot-man-a-distinct-character-in-ashpazs-team\/\" layout=\"button_count\"><\/fb:like><\/span>","protected":false},"excerpt":{"rendered":"<p>&nbsp;<br \/>\nNostalgia<br \/>\n\u2018Shallot Man\u2019<br \/>\nZGM<br \/>\nThe lofty tents with white satin roofs, frills at ends hanging like damsel braids and transparent curtains flying at a slight breeze have an Arabian Night romance about them. For their grandeur, they are called white houses. \u00a0The dazzling illuminations and the mellifluous folk songs tearing apart silence of the nights reminiscent of festive occasions like Shab-i-Shalimar of the late fifties are most familiar scenes these days in the city. Scores of traditional chefs, Oshpuz or Ashpaz, along with other trained and semi-trained cooks engaged in preparing the multi-course mutton feast Wazawan are the most important feature of the marriage ceremonies. The cooks pounding meat with Goshapar, wooden mallet on a finely chiselled limestone, mincing meat with a \u2018heftier blade\u2019 on wood-stump (Muund) and singing folk songs in sync with the beats of the wooden mallet and butchers blades\u2013 with dozens of huge copper cauldrons on \u00a0\u00a0burning &#8230;<\/p>\n","protected":false},"author":1,"featured_media":3786,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[3],"tags":[164],"class_list":["post-3785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editors-take","tag-zgm"],"_links":{"self":[{"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/posts\/3785"}],"collection":[{"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/comments?post=3785"}],"version-history":[{"count":3,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/posts\/3785\/revisions"}],"predecessor-version":[{"id":3789,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/posts\/3785\/revisions\/3789"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/media\/3786"}],"wp:attachment":[{"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/media?parent=3785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/categories?post=3785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/peacewatchkashmir.com\/blog\/wp-json\/wp\/v2\/tags?post=3785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}